3D ARTIST

With over 15 years in post-production, I'm a 3D generalist who loves bringing creative visions to life through meticulous modeling, lookdev, texturing, and lighting.

Currently, I'm a Senior 3D Artist at Bluebolt VFX, where I've had the privilege of contributing to some genuinely exciting projects. My environment and asset work helped bring the gothic atmosphere to life in the VES Award-winning Nosferatu, supported the epic scale of the Battle of Toulon in Ridley Scott's BAFTA-nominated Napoleon, and I stepped into my first leadership role as Lead 3D Artist on Outlander Season 8. I most recently led a team of 8 artists as Lead 3D Artist on Ridley Scott's The Dog Stars, overseeing a high volume of complex assets, complex layouts, and shot delivery.

Since then, I've been working on a couple of projects that haven't been announced yet—contributing environment work to a 1930s period drama, and working on a contemporary project heading to Apple TV+ soon.

What excites me most is the collaborative aspect of VFX—I love working with 2D teams to solve those tricky creative and technical challenges that seem impossible at first glance, whether I'm crafting photorealistic environments or diving into the technical depths of Maya, Arnold, Nuke, or Substance Painter.

Mentoring junior artists at Bluebolt is something I find really rewarding, helping them build both the technical skills and creative confidence to grow in the industry. But some of my best creative inspiration comes from my life outside the studio—I'm passionate about 35mm film photography, spending weekends capturing street scenes or in the darkroom printing black and white photographs. There's something about the patience and precision required in analog photography that keeps my eye sharp and my approach to digital artistry grounded.